![]() There were conflicting tensionsbetween antimodernism and modern favor that backed Indian craze "During the Indian craze, however, audiencesassessed Native handicrafts alongside modern commodities and modernist works ofart, enhancing the modernity of these supposedly primitive objects" (4) Indian policy" "My discovery thatNative art was displayed and collected in urban contexts in the earliest yearsof the twentieth century allows me to show that indigenous handicraftsplayed a significant role in American explorations of modernity in art,legitimizing an interest in formal abstraction and contributing to emergingnotions of artistic creativity" (3) "This book proposes that, tothe contrary, theIndian craze was a significant artistic phenomenon with lasting effects on bothAmerican art history and U.S. The indian craze, "The term comes from articles on the widespreadpassion for collecting Native American art, often in dense, dazzling domesticdisplays called 'Indian corners'" (3) "In her works and herwritings, DeCora saw Native art made in both 'traditional' and 'nontraditional'genres as a means for Indian people to negotiate their relationship to theirchanging historical circumstances" (1) "DeCora's attempts to retaina connection to traditional values while embracing the opportunities presentedby modern society were not isolated" (2) Problem : "I challenge the artificial division betweenmainstream and Native American art history" (6) "This book is the first tocomprehensively relate the Indian craze to the emergence of modernist aestheticideas" (7) ![]() "This book moves beyondidentifying the racism of turn-of-the-century culture to ask how discussionsabout ethnicity and art illuminate a key debate within mainstream art history,that of the relationship between art and craft" (6) Objective: "Transculturaltion also allowed for the tranformationof mainstream ideas through cultural contact, and this book traces thecomplexity of both sides of the artistic exchanges that made up the Indiancraze" (5) " Looking at an earlierperiod, when the hierarchy between art and craftin the mainstream art world was less stable, allows us to recognize themodernity of a wider variety of Native objects, including those made forpure aesthetic contemplation, those made for use, and those made forcirculation outside indigenous communities" (7) Hutchinson, Elizabeth,"Introduction," The Indian Craze: Primitivism, Modernism, AndTransculturation in American Art, 1890-1915, Duke UniversityPress, 2009.Īrgument : "This book proposes that, to the contrary, the Indian craze wasa significant artistic phenomenon with lasting effects on both American arthistory and U.S.
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